Alla Rutilio Manettis Oljemålningar
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| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 87877 |
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Die Verspottung Christi |
Oil on canvas
Dimensions 190.8 x 148.3 cm (75.1 x 58.4 in)
cyf |
| 28949 |
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Masinissa and Sophonisha |
mk65
Oil on cavnas
66 1/8x104 5/16in
Uffizi,
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| 28948 |
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Rogero and Alcina |
mk65
Oil on canvas
70 11/16x80 1/2in
Pitti
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| 90226 |
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Virgin and Child with the Young Saint John the Baptist and Saint Catherine of Siena |
c. 1608-1610
Medium oil on canvas
Dimensions 101 x 75.3 cm (39.8 x 29.6 in)
cjr |
| 43737 |
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Wedding Feast at Cana |
c. 1620
Oil on canvas,
219 x 170 cm |
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| Rutilio Manetti
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| Italian Baroque Era Painter ,
1571 - 1639
was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaele Vanni, the son of Francesco. He is known for the following works in Siena or nearby towns: Story of St Catherine and Pope Gregory (1597; Palazzo Pubblico), Baptism of Christ (1600; San Giovannino in Pantaneto); a fresco cycle of the Story of St Roch (1605-1610; San Rocco alla Lupa), Pope Alexander I freed from prison by an Angel from San Giovanni Battista in Sant'Ansano in Greti; a Temptation of Saint Anthony (1620, Sant'Agostino), a Death of Blessed Antonino Patrizi (Monticiano, 1616), a Blessed Domenico dal Pozzo at the table now in Certosa of Florence, a Birth of Virgin (1625, Church of Santa Maria dei Servi), and a painting (1628, Church of San Domenico). He painted a remarkable Allegory of the four seasons and a Parable of the blind men, now in private collections. He also contributed to the Casino Mediceo His style moved from one derived from Barocci to a more Caravaggesque manner after the first decade of the 1600s.
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